[詳細]
Techniques: Color pencil on paper
Dimensions: 12.7 x 17.78 cm (include acrylic frame)
Year created: 2021

Dear X, (I-VII) is one set of series “Shhh!”. Through my artwork, I tried to say something that I was never allowed to speak either from society and myself. It might be a personal story of tragedy, melodrama, or anything else. So If you got my words, between you and me and the cat's whiskers.

[詳細]
Techniques: Digital painting
Year created: 2021

It is a project made to reduce my depression. Artworks were inspired by Matt Haig's book, Reasons to stay alive. It made me feel no guilt to be sad or broken. It was like I got promised that everything would get better, indeed.

[詳細]
Techniques: Color pencil on paper
Dimensions: 21 x 29.7 cm (without frame)
Year created: 2020-2021

For this series, the concept comes from the Ghosting relationship, The relationship that ends unexpectedly. Just left were the broken things that could be linked to what had happened. The image of a mermaid is a representation behavior that collection of objects in feelings and memories.

[詳細]
Techniques: Drawing on washi paper
Dimensions: 84.1 x 59.4 cm (without frame) and 59.4 x 42 cm (without frame)
Year created: 2020-2021

As a young child who grew up with soap operas, You will often hear, "I promise to be true to you in good times and in bad, in sickness and in health. I will love you and honor you all the days of my life."

That sentence led you to believe that 'Weddings' and the act of becoming a bride are constructed to represent an ideal life that has already been accomplished. Then you'll mold your thoughts around weddings and marriages, which are used to emphasize the relationship. You believe it will always be this beautiful and incredible.

But little pieces of you get chipped away by another person. So small you did not notice. You shave minor parts of yourself away so that you will fit together. And then one day you look up and realize, you do not even know who you are anymore. As if you awoke to find yourself transformed into a plant in the middle of a desert. You are not even sure that you are still alive or you have shriveled up and died.

[詳細]
Techniques: Cosmetic drawing on paper
Dimensions: 54.5 x 78 cm (without frame)
Year created: 2016

Solo exhibition at Bangkok University Gallery (BUG)
She realistically paints skin and wound of human body (as an independent creature) with cosmetic on fragile papers. She delicately paints with well-trained skill to determine the fascinated and desired feelings toward the fragile, and ambiguous relationship. The insecurity inside is expressed through the objects created to show the possession of the eternal relationship. The image is simply composed and flatted to distinguish the colors. The details of the surface show some traces such as mole, cracked skin, scar and bone line. The reduced compositions in those realistic paintings blur the borderline between the object and the subject.

- writing by Angkrit Ajchariyasophon

[詳細]
I had the opportunity to draw an illustration for the movie poster of The Long Walk (Thai version) with HAL Distribution.

'The Long Walk' is a 2019 Laotian drama film directed by Mattie Do. It premiered in the Giornate degli Autori section of the 76th Venice International Film Festi, and it It also screened in the Contemporary World Cinema section at the 2019 Toronto International Film Festival.

[詳細]
I had the opportunity to draw an illustration for the movie poster of Portrait of a Lady on Fire (Thai version) with HAL Distribution.

Portrait of a Lady on Fire is a 2019 French historical romantic drama film written and directed by Céline Sciamma, starring Noémie Merlant and Adèle Haenel. Set in France in the late 18th century, the film tells the story of an affair between an aristocrat and a painter commissioned to paint her portrait.

Portrait of a Lady on Fire was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. The film won the Queer Palm at Cannes, becoming the first film directed by a woman to win the award.[7] Sciamma also won the award for Best Screenplay at Cannes. The film was theatrically released in France on 18 September 2019.

It was nominated for Independent Spirit Awards, Critics' Choice Awards and Golden Globe Awards for Best Foreign Language Film and was chosen by the National Board of Review as one of the top five foreign language films of 2019.